Post by jackjackjack on Oct 7, 2006 1:56:44 GMT 11
I can't believe it's Friday and I haven't reviewed Millie yet. I guess I've been too busy singing the songs over and over in my head ever since.
I loved this show before I'd seen it. I loved Sutton Foster's performance of Forget About the Boy at the Tony's. I loved almost all the score on CD, and could just about conjure up (2nd Broadway Millie) Susan Egan playing the role in my head. It had a lot to live up to, and it didn't really have a problem.
For a score that mixes songs from the original movie with non-theatre songs into a new score, it is surprisinggly consistent, even going from one to the other mid song without a hitch. The dancing numbers are the ones that stand out, with "The Speed Test" (ripped off from G&S Ruddigore) being my probable favourite.
On the CD I never liked "Ah Sweet Mystery/I'm Falling in Love", but they staged it so cleverly that I'll now never forget it. Kudos.
The comedy works really well, especially with Nicki Wendt's perfect turn as Mrs Meers and Adam Murphy and Lucy Durack both being just delicious. If you're yet to see it, in the Chinese numbers, I reckon you're better off watching the hilarious mannerisms of Nicki, Rick Lau and Mitchell Winter than worrying about what the Surtitles at the top of the proscenium are saying. Especially since one of the songs is a reprise and the other is an old standard. Of course if you're close to the front you won't have a choice.
And Chloe Dallimore, what can you say?... No seriously, I have nothing to say, but in a good way. Its as much as I can get out to go "Look... see... It's... see what I mean."
Oh, and George Bush has struck, ever so briefly. He made Debra Byrne mix up her lines and say "It's never changing yet it's ever changed." Instead of "It's ever changing yet it's never changed."
I'd go again but I can't.
James
I loved this show before I'd seen it. I loved Sutton Foster's performance of Forget About the Boy at the Tony's. I loved almost all the score on CD, and could just about conjure up (2nd Broadway Millie) Susan Egan playing the role in my head. It had a lot to live up to, and it didn't really have a problem.
For a score that mixes songs from the original movie with non-theatre songs into a new score, it is surprisinggly consistent, even going from one to the other mid song without a hitch. The dancing numbers are the ones that stand out, with "The Speed Test" (ripped off from G&S Ruddigore) being my probable favourite.
On the CD I never liked "Ah Sweet Mystery/I'm Falling in Love", but they staged it so cleverly that I'll now never forget it. Kudos.
The comedy works really well, especially with Nicki Wendt's perfect turn as Mrs Meers and Adam Murphy and Lucy Durack both being just delicious. If you're yet to see it, in the Chinese numbers, I reckon you're better off watching the hilarious mannerisms of Nicki, Rick Lau and Mitchell Winter than worrying about what the Surtitles at the top of the proscenium are saying. Especially since one of the songs is a reprise and the other is an old standard. Of course if you're close to the front you won't have a choice.
And Chloe Dallimore, what can you say?... No seriously, I have nothing to say, but in a good way. Its as much as I can get out to go "Look... see... It's... see what I mean."
Oh, and George Bush has struck, ever so briefly. He made Debra Byrne mix up her lines and say "It's never changing yet it's ever changed." Instead of "It's ever changing yet it's never changed."
I'd go again but I can't.
James